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Or, perhaps it is as one of the novel’s translators observed, that one cannot build one’s happiness on another’s pain.

In a boldly unconventional retelling of the novel that ) offers a highly theatrical staging.

Recovering Cal’s “lost manhood,” as Jacob puts it, involves an extreme make-over, Lothario-edition (first to go are the Super-Clips haircut and the wallet that, quite literally, closes with Velcro) — and the human re-engineering process that follows is quite funny!

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Many scenes literally take place inside an old ornate theater, with groups of office workers moving in choreographed unison, one scene gradually bleeding into another, and a character leaving a formal party by climbing a ladder leading to the catwalks overhead.

This stylized and overtly theatrical approach is visually intriguing — rich with opulent costumes and sets — but it also keeps those scenes at one remove from the viewer on an emotional level, insofar as the artifice of the storytelling becomes a deliberate part of how the story unfolds.

But, at the heart of the story is the ill-fated passion of a married woman — the film’s flawed eponymous heroine — for a dashing officer who is not her husband.

She gives up everything for love, Presentiments of Anna’s doom recur at intervals throughout the film, with the sight and sound of an approaching train.

For sheer visual panache, elegant performances, and compelling storytelling, was nominated for Academy Awards for Cinematography, Music, Costume Design, and Production Design.

At BAFTA, it won Best Costume Design and was nominated as Best British Film of the Year and in four other categories.Anna’s society tolerates infidelity in men, but it shuns women who transgress — at least it does if they flaunt their affairs or treat them as more than a trifle.Anna is mercilessly ostracized by society, a society in Anna’s own brother, a shameless serial philanderer, deems it “impossible” to offer succor to his outcast sister.Jacob may not be subtle (), but he makes up for it in self-confidence — and in a near-perfect ‘batting average.’ The one catch that eludes him is Hannah (Emma Stone), a flame-haired young woman who’s about to write the bar exams.Cal and Jacob cross paths at the bar, and Jacob resolves to take Cal on as a reclamation project.become her lover, are uttered partially in jest; but they prove to be both true and prescient.

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